What Is a Multi-Entity Company?

multientity payables

As businesses grow, there are opportunities to merge with other companies, acquire companies, spin off businesses, or establish international offices with independent structures. We call these “entities.” Entities can be subsidiaries, divisions, business units, brands, etc., and what they’re called varies based on the parent company. While multi-entity companies enable each unique business to focus and grow with autonomy, parent companies have to contend with varied workflows, different business models, unique sets of processes, and a range of compliance and legal standards.

Recognizable Multi-Entity Companies

Some of the most recognizable businesses are actually entities of a larger organization. For example:

Entity Entity Type Parent Company
Google LLC Subsidiary Alphabet, Inc.
GEICO Subsidiary Berkshire Hathaway
USA Today Brand Gannett Company
Frito-Lay Subsidiary PepsiCo
LinkedIn Subsidiary Microsoft Corporation
Random House Brand Bertelsmann and Pearson PLC
VCA Animal Hospitals Subsidiary Mars, Inc. (the candy company!)
Olive Garden Subsidiary Darden Restaurants, Inc.
Ben and Jerry’s Subsidiary Unilever
Rotten Tomatoes Brand Comcast (via Fandango via NBCUniversal)

Media companies have some of the most complex entity structures because they often involve brands and subsidiaries. And because they primarily deal in intellectual property and creative content, which are easier to assimilate than say, technology, acquisitions are plentiful. Perhaps no better illustration is The Walt Disney Company.

Disney: The Multi-Entity House of the Mouse

Whether it’s Mickey Mouse or Moana or a Muppet, Disney’s staple is that each character is magical and unique. That is echoed in the way it treats each brand, from Disney Studios, to Pixar, Marvel, and Lucasfilm. Each is a discrete part of the Disney family and often only blended together when those properties make sense (such as in their TV channels, retail stores, or theme parks and resorts). Olaf the snowman is unlikely to make an appearance in the next Black Panther movie. So, while the process might seem the same for creating content between various properties, there nevertheless is a need to set barriers and maintain a multi-entity approach.

Disney Profile

Businesses
  • Media Networks
    • Disney Channel
    • ABC
    • Freeform
    • ESPN
  • Parks and Resorts
    • Disneyland Resort
    • Walt Disney World
    • Shanghai Disney Resort
    • Disneyland Paris
    • Tokyo Disney Resort
    • Hong Kong Disneyland
    • Disney Cruise Line
    • Disney Vacation Club
    • Aulani Resort & Spa
    • Adventures by Disney
    • Walt Disney Imagineering
  • Studio Entertainment
    • The Walt Disney Company
    • Walt Disney Animation Studios
    • Pixar Animation Studios
    • Disney Music Group
    • Disney Theatrical Group
    • DisneyToon Studios
    • Marvel Studios
    • Disney Nature
    • Lucasfilm Ltd
    • 20th Century Fox (pending)
  • Disney Consumer Products and Interactive Media
    • Disney Publishing Worldwide
    • Disney Store
    • Disney Digital Network
History
  • 1923 – Start of the Walt Disney Company (known as Disney Brothers Cartoon Studio)
  • 1928 – Steamboat Willie – the first animated film to star Mickey Mouse and to feature synchronized sound- debuts in NY
  • 1937 – Snow White and the Seven Dwarfs, Disney’s first feature-length animated film, premieres in LA
  • 1950 – Treasure Island, first completely live-action feature, opens in theaters and One Hour in Wonderland, Disney’s first TV show, airs
  • 1955 – Disneyland opens
  • 1971 – Walt Disney World opens
  • 1983 – Disney Channel begins broadcasting
  • 1987 – First Disney store opens in Glendale, CA
  • 2006 – Disney purchases Pixar
  • 2009 – Disney acquires Marvel
  • 2012 – Disney acquires Lucasfilm
  • ? – Disney negotiating to acquire 21st Century Fox

What does all this have to do with finance operations?

Maintaining the identity of distinct brands while embodying the Disney promise is a challenge. Complex financial operations across brands/entities/segments (media networks, parks and resorts, studio entertainment, consumer products, etc.) can lead to disparate processes for each, but administrators at Disney headquarters still need a consolidated view to report financial results. In addition, unique offerings across properties such as planning and reporting on retail/apparel revenue are much different than planning and reporting on worldwide box office returns.

For any multi-entity company, global supply chain management, sourcing, and payables are complex. Disney has to source suppliers around the world for different brands, business units, and divisions, and negotiate the best discounts with suppliers. The result?

  • Thousands of contractors/freelancers are likely involved in the delivery of creative and services.
  • Onboarding suppliers effectively requires proper documentation and tax forms to cut the risk of tax penalties and fines.
  • Invoice processing has to be streamlined to reduce manual touches and errors.
  • The process of paying suppliers around the world must comply with local regulations and cut the risk of payouts to bad actors.
  • Supporting suppliers with invoice and payment issues through to resolution requires individualized branding and communications in multiple languages.
  • Reconciling payments and proper accounting entries across suppliers, payment methods, and currencies must be done per brand.
  • Strong financial controls are critical to limit data access based on brand/division/BU.

The Multi-Entity Approach to Payables

While some ERP systems exist for supporting multiple entities, the act of paying suppliers, partners, contractors, and vendors for various business relationships is one of the last disciplines to go “multi-entity” where a single system accommodates all subsidiaries.

Often, because each entity might have individual bank accounts, jurisdictions, or even tax structures. That leaves either the home office centrally executing payments (either manually or through payables automation) or running decentralized payables departments, each meant to support specific subsidiaries.

Regardless of how the corporate structure is defined, none of this is ideal. Dealing with disparate payables entities is a recipe for control and reconciliation trauma. Risk goes up. Financial data accuracy goes down. These are the two things controllers and CFOs hate hearing. Organizations, even smaller ones than Disney with a handful of entities, can benefit from a centralized payables framework that can individually support each entity’s unique needs.

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